This move is accessible to every level of hooper, even if you just started today. It demonstrates how footwork, handwork, and/or directed gaze can make a simple move look very, very different. Carolyn Mabry recommends doing moves like this in front of a mirror to figure out which looks you like best or which combinations fit the feel of our music best. Plus, it’s fun. Also, she explains the difference between breaks and stalls.